Review: Andrew Scott's sensational Vanya from the comfort of a luxury silver screen

Andrew Scott's spectacular performance in Vanya can be seen at cinemas now.
Andrew Scott's Vanya, from National Theatre Live, is screening at Vue cinema in Angel, Islington.Andrew Scott's Vanya, from National Theatre Live, is screening at Vue cinema in Angel, Islington.
Andrew Scott's Vanya, from National Theatre Live, is screening at Vue cinema in Angel, Islington.

The irony of a wonderfully well behaved audience for a screening of Andrew Scott's Vanya on Monday is that he wasn't there to enjoy it.

The actor is one of a number of stars in recent months to be halted on stage by the sight of an audience member using a screen - on that occasion the extreme example of a laptop.

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As part of the National Theatre Live series, the adaptation of Anton Chekhov’s Uncle Vanya by writer Simon Stephens, director Sam Yates and designer Rosanna Vize is out in cinemas this week.

On Monday, I enjoyed a preview at the Vue in Angel, Islington, where a refurb has seen leather recliner seats installed in all screens. Invited along were loyal film fans who knew how to treat a cinema - no screens, no conversation - albeit with the steady background crunch of popcorn.

Even through the medium of the big screen, the stunning achievement of Scott is clear to see, performing all the characters over the course of 100 minutes. The sheer endurance needed to shape-shift is remarkable.

The production requires the audience's attention to follow without the signposting of different actors and costumes. But it recalls the experience of reading a novel, where concentration is needed to get a handle on the characters before the narrative crystallises them.

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Scott's performance is touching, bold and often very funny, the cinema audience's laughter blending with that of the theatre audience from the live filming.

The one-man-show nature of the show and the cleverly used, but claustrophobic, set mean that it is not as 'cinematic' as some productions. But the unintrusive camera work, with well-selected close-ups, gives the cinema audience a perfect view of an acting masterclass.

Andrew Scott's Vanya, from National Theatre Live, is screening at Vue cinema in Angel, Islington.Andrew Scott's Vanya, from National Theatre Live, is screening at Vue cinema in Angel, Islington.
Andrew Scott's Vanya, from National Theatre Live, is screening at Vue cinema in Angel, Islington.

Vue cinema Angel, Islington

The new recliner seating has seen starting prices rise from £6.99 to £9.99, but it provides a far more luxurious experience.

Located in Angel Central, the 10-screen cinema is Vue’s first in central London to be entirely decked out with leather recliner seating.

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In addition, much-needed new toilet facilities have been added. The retail areas now include self-serve Coke Freestyle, Lavazza Coffee and Tango Ice Blast machines.

Film fans were invited on Monday to screenings of Vanya and Wicked Little Letters, hosted by Vue Founder and CEO Tim Richards and Vue UK and Ireland general manager Toby Bradon.

Vue Islington's general manager, Manuk Asatryan, said: “Monday was a fantastic launch event showcasing Vue Islington as a go-to venue for entertainment in all its forms in central London, all from comfy recliner seating, and it was great to be able to share the moment with our most loyal customers.”

Louisa Butters, head of retail asset management UK at CBRE Investment Management, owner of Angel Central, said: “It is great to see Vue’s refurbished venue open to the public. As we look to elevate the leisure mix within Angel Central, Vue’s enhanced space will continue to play a vital role in the destination’s day-to-night offer.

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“Our co-investment also highlights the opportunities that we provide for new tenants and long-standing occupiers, and we are pleased to see Vue reaffirm its commitment to our thriving destination.”

Vue Islington cinema tickets

Tickets are now available for forthcoming releases including Poor Things, The Iron Claw, Mean Girls and Dune 2. The National Theatre's The Motive and the Cue will be showing from March 21.

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