Our Little Hour review: Powerful Walter Tull drama is essential viewing
Rarely does a musical capture the truth of a human story with as much grace and grit as Dougie Blaxland’s Our Little Hour which was staged this week at London’s Greenwich Theatre.
Our Little Hour isn't just a biographical retelling of the legendary Walter Tull; it is a deeply moving exploration of a man who broke barriers in two distinct arenas—the football pitch and the battlefield—only to be met with the cold silence of a nation's prejudice and adherence to tradition.
Under the deft direction of Amanda Horlock, the production is driven by a "less is more" philosophy. The beauty of the simplicity of the set and design is a real strength, allowing the narrative to breathe without the distraction of clutter. Horlock utilizes the space with surgical precision, transforming the stage from an orphanage to the trenches of the Somme through clever movement and evocative lighting. This stripped-back aesthetic places the focus exactly where it belongs: on the raw humanity of the characters.
The production is powered by a lean but formidable cast of three: Leon Newman delivers an outstanding performance as Walter Tull, capturing his quiet dignity and steely resolve. Neil Reidman provides a masterclass in versatility, shifting between roles with chameleon-like ease. Geebs Marie Williams is equally accomplished in the way she provided distinctive differentiation of characters, switching from vulnerable widow to raucous football manager and pompous general with panache.
The collaboration between Blaxland and composer Chris Anthony is seamless. Chris Anthony’s beautiful music does more than just accompany the action; it enhances this compelling and important story, elevating the dialogue into something transcendent. The melodies are haunting and heroic in equal measure, ensuring that Tull’s journey resonates with passion and soul.
Supported by Arts Council England, this production is a vital piece of theatre that restores a hero to his rightful place in history. It is, quite simply, a must-see show.
The 2026 revival tour is currently traveling across England through March 21st. Below are the remaining stops where you can catch this extraordinary production:
17th and 18th February Barnfield Theatre (Northcott) Exeter
19th to 21st February Hope Street Theatre Liverpool
24th February The Stahl Theatre Oundle
25th February The Atkinson Southport
26th & 27th February MAC Birmingham
4th March Alnwick Playhouse
5th 6th & 7th March Alphabetti Theatre Newcastle
10th March The Redgrave Theatre Bristol
11th March Lighthouse Theatre Poole
12th March Dorchester Arts
13th & 14th March Yvonne Arnaud Guildford
17th & 18th March BEAM Hertford
20th & 21st March Leeds Playhouse